Marvel’s Werewolf by Night slays with ghoulish and cheesy style


Ever see the music video for the Yeah Yeah Yeahs song “Heads Will Roll?” It’s great. There’s a dinner party and a concert and then a werewolf shows up and murders everyone with sweet dance moves. Werewolf by Night, “a Marvel Studios special presentation” — basically the streaming era version of a TV movie — is kind of like that. There’s a big, foreboding party, which goes about how you’d expect, until a werewolf shows up. It gets even better!

With a script by Heather Quinn, Peter Cameron, and directed by Michael Giacchino (respected composer). Night Werewolf pulls double duty as both a loving genre pastiche and an introduction of several of Marvel Comics’ storied horror characters to the MCU proper. Like the ’70s comic it’s based on, Werewolf by Night follows Jack Russell (Gael García Bernal), the eponymous man-monster on a spooky adventure. Ulysses Bloodstone, the legendary monster hunter, has passed away. A powerful relic, the Bloodstone that he was named after is up for grabs and monster hunters are invited to visit his estate to compete to win it.

The monster being hunted is kept secret from the assembled hunters, but it’s not Russell — to everyone there, he’s The Man With No Name, someone with an impressive monster-killing resume and a backstory that’s effectively a blank slate. (As someone who turns into a werewolf, it’s ideal that Russell keep his ability under wraps.) And he’s not the only one bringing baggage to the night’s proceedings: Elsa Bloodstone (Laura Donnelly of The Nevers), Ulysses’ estranged daughter, has come for what she sees as her birthright, despite seemingly having little interest in the family profession.

Image: Marvel Studios

Unfolding over a quick 53-minute run, Night Werewolf This box is more than just here to do what the box says: offer throwback thrills that are more fun than scary, set within an unexplored corner in the Marvel Cinematic Universe. That it’s also presented differently from most other MCU ventures thus far goes a long way. Its closest sibling it is WandaVisionIt was, but not with the larger stakes that the show eventually took on. The fun is in relishing the love for old Universal monster movies that everyone involved clearly has, and not in the special’s MCU connections. Sharp-eyed viewers and Marvel scholars will find several allusions to comics lore, but nothing here is really meant to change the MCU status quo — just to let you know that Hey, there are monsters around!.

As Jack Russell, Gael García Bernal is a great audience surrogate, someone who enjoys being mysterious but is also happy to drop the charade and become a personable (maybe even relatable) guy once he achieves his goals. Laura Donnelly’s performance as Elsa Bloodstone is more guarded, as her character invites the most questions — but also the most opportunity to show up again in further MCU projects, should Marvel’s horror stable see more action in the future. But perhaps the biggest treat is Harriet Sansom Harris as Verusa, Ulysses’ widow and the night’s master of ceremonies, delivering an over-the-top performance that gives the whole affair huge theater-kid energy.

Night Werewolf It’s both a palate cleanser and a way to get into the spooky season with a high-tone-setter. Unlike a lot of Marvel affairs, it’s not entirely self-referential, interested only in its own lore. For once, it’s a project that points outward: to Hollywood’s horror history, to Universal’s monster canon and Hammer’s violent cheese. You can watch it and think about revisiting these influences or trying them out for the very first time. Perhaps you can spin a Yeah Yeah Yeahs track while you are making your decision.



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